TASCAM DR-70D
The DR-70D from TASCAM is the ultimate audio recording solution for filmmakers. Four balanced XLR mic inputs meet the requirements of production sound, from professional users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control.
Four XLR mic inputs with phantom power are included on the DR-70D, enough to cover busy scenes. The High-Quality HDDA(High Definition Discrete Architecture) Mic Preamps include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Each input has a limiter and low cut filter available for controlling volume. Also included is Dual Recording mode, which records a safety copy of your audio at a lower level to prevent distorted takes. Quality components like 5532 op amps are used throughout for the clearest audio possible.
Tracks on the DR-70D are captured to SD card, SDHC or SDXC media – up to 128GB cards are supported. The recorder has tripod mounts on the top and bottom of the unit, allowing it to be mounted on a camera, a follow-focus cage, or used standalone. Other production friendly features include a slate tone, low-noise buttons, a powerful headphone output, and standard AA battery power.
Uniquely designed for the needs of filmmakers, television producers, advertisers, and documentarians, the DR-70D packs multitrack recording into a package compact enough to use with any camera.
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| Recording media | SD card(64MB to 2GB), SDHC card(4GB to 32GB), SDXC card(48GB to 128GB) |
| Recording format | |
| WAV | 44.1k / 48k / 96k Hz, 16bit / 24bit |
| BWF | 44.1k / 48k / 96k Hz, 16bit / 24bit |
| Number of channels | 4-channel (stereo × 2, mono × 4) |
| Analog audio input | |
| 1/L, 2/R, 3/L, 4/R connectors | |
| Connector | XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 6.3mm(1/4″)TRS standard jack |
| Set to “MIC / MIC+PHANTOM” | |
| Input impedance | 2k ohms |
| Phantom power | 48V +/-4V(10mA/CH), 24V +/-4V(10mA/CH) |
| Maximum input level | 0dBu |
| Minimum input level | -72dBu |
| MIC input gain | TRIM MAX |
| LOW | +11dB |
| HIGH | +51dB |
| HI + PLUS | +63dB |
| Set to “LINE” | |
| Input impedance | 10k ohms or more |
| Standard input level | +4dBu |
| Maximum input level | +20dBu |
| 1/2 connector | |
| Connector | 3.5mm(1/8″)stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance | 10k ohms |
| Maximum input level | +10dBV |
| Minimum input level | -50dBV |
| MIC input gain | TRIM MAX |
| LOW | +3dB |
| HIGH | +26dB |
| HI + PLUS | +38dB |
| CAMERA IN connector | |
| Connector | 3.5mm(1/8″)stereo mini jack |
| Input impedance | 10k ohms |
| Standard input level | -10dBV |
| Maximum input level | +6dBV |
| Analog audio output | |
| LINE OUT connector | |
| Connector | 3.5mm(1/8″)stereo mini jack |
| Output impedance | 200 ohms |
| Standard output level | -10dBV |
| Maximum output level | +6dBV |
| CAMERA OUT connector | |
| Connector | 3.5mm(1/8″)stereo mini jack |
| Output impedance | 200 ohms |
| Standard output level | -40dBV |
| Maximum output level | -24dBV |
| PHONES connector | |
| Connector | 3.5mm(1/8″)stereo mini jack |
| Maximum output level | 20mW + 20mW |
| USB | |
| Connector | Micro-B type |
| Format | USB2.0 HIGH SPEED mass storage class |
| REMOTE | |
| Connector | 2.5mm TRS jack |
| Power | 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption | 5.0W |
| Continuous operation time | 2ch WAV, 44.1kHz, 16bit rec Phantom power not used |
| DR-70D Battery Life (hours:minutes) | |
| Alkaline batteries (EVOLTA) | About 6:00 : When XLR/TRS input selecte (Phantom off) About 3:30 : When XLR/TRS input selecte (Phantom on) About 11:00 : When 3/4 MIC (Built-in Mic) selected |
| NI-MH batteries (eneloop) | About 6:15 : When XLR/TRS input selecte (Phantom off) About 3:15 : When XLR/TRS input selecte (Phantom on) About 10:30 : When 3/4 MIC (Built-in Mic) selected |
| NI-MH batteries (eneloop pro) |
About 7:45 : When XLR/TRS input selecte (Phantom off) About 4:45 : When XLR/TRS input selecte (Phantom on) About 14:15 : When 3/4 MIC (Built-in Mic) selected |
| DR-70D + BP-6AA | *BP-6AA is using the alkaline batteries (EVOLTA). |
| Alkaline batteries (EVOLTA) | About 13:00 : When XLR/TRS input selecte (Phantom off) About 7:30 : When XLR/TRS input selecte (Phantom on) About 25:30 : When 3/4 MIC (Built-in Mic) selected |
| NI-MH batteries (eneloop) | About 12:45 : When XLR/TRS input selecte (Phantom off) About 7:45 : When XLR/TRS input selecte (Phantom on) About 24:45 : When 3/4 MIC (Built-in Mic) selected |
| NI-MH batteries (eneloop pro) |
About 14:30 : When XLR/TRS input selecte (Phantom off) About 8:45 : When XLR/TRS input selecte (Phantom on) About 27:00 : When 3/4 MIC (Built-in Mic) selected |
| Dimensions | 6.65(W)×2.2(H)×4.2(D)in 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached) |
| Weight | 1.37lb ( including batteries) / 1.16lb (without batteries ) 625g ( including batteries) / 530g (without batteries ) |
| Operating temperature | 0 to 40˚C |
| Standard accessories | USB cable, Camera attachment bracket screw hole covers × 6 Owner’s Manual (including warranty) |
| Audio performance | |
| Frequency response | 20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48k Hz, JEITA) 20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion | 0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96k Hz, JEITA) |
| S/N ratio | 92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96k Hz, JEITA) |
| Equivalent input noise | -120dBu or less |
| Computer compatibility | |
| Windows | |
| OS | Windows XP, Windows Vista, Windows 7, Windows 8, Windows 8.1 |
| CPU | Pentium 300MHz or more |
| RAM | 128MB or more |
| USB | recommended: USB2.0 |
| Macintosh | |
| OS | Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4), Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7), OS X Mountain Lion(V10.8), OS X Mavericks(10.9) |
| CPU | Power PC, iMac, G3, G4 266MHz or more |
| RAM | 64MB or more |
| USB | recommended: USB2.0 |
Recording Duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) | SD/SDHC card capacity(hours:mintes) | ||||
| 1GB | 2GB | 4GB | 8GB | ||
| WAV/BWF 16bit(STEREO) | 44.1kHz | 1:41 | 3:22 | 6:44 | 13:28 |
| 48kHz | 1:33 | 3:06 | 6:12 | 12:24 | |
| 96kHz | 0:46 | 1:33 | 3:06 | 6:12 | |
| WAV/BWF 24bit(STEREO) | 44.1kHz | 1:07 | 2:15 | 4:30 | 9:00 |
| 48kHz | 1:02 | 2:04 | 4:08 | 8:16 | |
| 96kHz | 0:31 | 1:02 | 2:04 | 4:08 | |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
DR-70D Tested media List
| Last update:February 23, 2015 |
| Maker | Series | Model | Capacity | Result |
| SanDisk | SanDisk Extreme PRO® SDHC™ UHS-II Memory Card |
SDSDXPB-032G-J35 | 32GB | OK |
| SDSDXPB-016G-J35 | 16GB | OK | ||
| SanDisk Extreme PRO® SDHC™ UHS-I Memory Card (Class10) |
SDSDXPA-016G-J35 | 16GB | OK | |
| SanDisk Ultra® PLUS SDHC™ UHS-I Memory Cards (Class10) |
SDSDUP-016G-J35 | 16GB | OK | |
| SDSDUP-008G-J35 | 8GB | OK | ||
| Panasonic | SDHC (UHS-I / Class10) R:90MB/s W:45MB/s |
RP-SDUC32GJK | 32GB | OK |
| SDHC (Class6) 20MB/s |
RP-SDLC08GJK | 8GB | OK | |
| RP-SDLC04GJK | 4GB | OK |
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Selama lebih dari 30 tahun, TASCAM telah mengembangkan produk untuk setiap segmen industri suara dan musik. Dari audio high-end profesional di studio pasca-produksi utama untuk pemula atau hobi di rumah. Kami adalah perusahaan yang berkomitmen untuk menyediakan pelanggan kami solusi audio / video yang memungkinkan terobosan dengan menggunakan suara dengan cara yang menyenangkan. Singkatnya, kami menyediakan alat-alat yang memungkinkan orang menerjemahkan kreativitas mereka menjadi kenyataan.
Setelah hampir menciptakan adegan rekaman rumah selama awal 1970-an, TASCAM melanjutkan untuk mencapai pengakuan untuk produk perintis di arena rekaman profesional. Warisan kita pengembangan produk dan inovasi tercermin dalam banyaknya pengalaman pertama industri yang kami raih, termasuk:
- pertama 1/2-inch, 4-track perekam kaset
- pertama 8-track, reel-to-reel / mixer combo
- pertama R-DAT perekam
- pertama MiniDisc multitracker digital dan CD scratcher
Yang dibuktikan dengan penghargaan dan pengakuan profesional yang kami terima, produk TASCAM jelas di kelas sendiri. Kami MMR-8 dubber audio digital untuk industri film memenangkan Oscar Ilmiah dan Teknis Academy Awards pada tahun 2001 – sebagian besar didasarkan pada kontribusi untuk campuran akhir Dolby Surround EX untuk “The Lord of the Rings.” TASCAM juga memenangkan Emmy Awards tahun 1995 (untuk Prestasi Posisi dalam Pembangunan Teknik untuk TASCAM DA-88 Digital Multitrack Recorder) dan 2000 (untuk Prestasi Posisi dalam Pembangunan Teknik untuk MMR-8 dan MMP-16).
Sejarah Perusahaan
TASCAM adalah salah satu dari empat divisi dari TEAC Corporation, sebuah perusahaan manufaktur berkantor pusat di Jepang. Sejak didirikan pada tahun 1953, divisi lain dari TEAC telah berkembang menjadi pemimpin teknologi tinggi di perangkat penyimpanan data, alat elektronik konsumen dan produk industri, tetapi TASCAM tetap didedikasikan untuk membuat produk-produk inovatif untuk menangkap kreativitas di bidang musik dan audio.
Selama tahun-tahun formatif di awal 70-an, dunia musik itu berkembang. Musisi yang ingin menampilkan bakat dan kemampuan mereka untuk industri rekaman dibutuhkan biaya sarana yang efektif untuk merekam musik mereka. Namun, sebagian besar musisi mampu tidak mengorbankan rekaman di sebuah studio rekaman profesional maupun harga yang diminta peralatan rekaman profesional. Menyadari dilema yang dihadapi musisi ini, TASCAM mengadopsi filosofi peralatan rekaman manufaktur yang menawarkan kualitas tanpa kompromi dan daya tahan peralatan studio profesional namun tetap terjangkau kepada massa.
Ini tentang dedikasi. Kami akan terus komitmen kami untuk menyediakan pelanggan kami teknologi yang mereka butuhkan untuk Make It Happen, dan kami akan berusaha untuk membangun kepercayaan dengan pengikut setia yang baru juga.
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