TASCAM DR-60DMK2
TASCAM’s award winning DR-60DMK2 is the new audio recording solution for on-set filmmakers and videographers using DSLR’s. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio – includng the use of bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR’s. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60DMK2 is a brand new 4-track solid-state recorder utilizing TASCAM’s decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4″-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4″-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM’s very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM’s Dual Record “Safety Track” Mode make the DR-60D one of the most versatile recorders on the market.
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| Recording media | SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
| Recording format | |
| WAV | 44.1/48/96kHz, 16/24bit |
| BWF | 44.1/48/96kHz, 16/24bit |
| Number of channels | 4channel (stereo x2) |
| Analog audio input | |
| 1/L, 2/R connectors | |
| Connector | XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4″)TRS standard jack |
| Set to “MIC / MIC+PHANTOM” | |
| Input impedance | 2k ohms |
| Phantom power | 48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
| Maximum input level | 0dBu |
| Minimum input level | -72dBu |
| MIC input gain | TRIM MAX |
| LOW | +11dB |
| MID | +36dB |
| HIGH | +52dB |
| Set to “LINE” | |
| Input impedance | 10k ohms or more |
| Standard input level | +4dBu |
| Maximum input level | +24dBu |
| 3-4 connector | |
| Connector | 3.5mm (1/8″) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance | 10k ohms |
| Maximum input level | +10dBV |
| Minimum input level | -50dBV |
| MIC input gain | TRIM MAX |
| LOW | +3dB |
| HIGH | +26dB |
| CAMERA IN connector | |
| Connector | 3.5mm (1/8″) stereo mini jack |
| Input impedance | 10k ohms |
| Standard input level | -10dBV |
| Maximum input level | +6dBV |
| Analog audio output | |
| CAMERA OUT connector | |
| Connector | 3.5mm (1/8″) stereo mini jack |
| Output impedance | 200 ohms |
| Standard output level | -50dBV |
| Maximum output level | -30dBV |
| LINE OUT connector | |
| Connector | 3.5mm (1/8″) stereo mini jack |
| Output impedance | 200 ohms |
| Standard output level | -10dBV |
| Maximum output level | +10dBV |
| PHONES connector | |
| Connector | 3.5mm (1/8″) stereo mini jack |
| Maximum output level | 50mW + 50mW |
| USB | |
| Connector | Mini-B type |
| Format | USB2.0 HIGH SPEED mass storage class |
| REMOTE | |
| Connector | 2.5mm TRS jack |
| Power | Four AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption | 5.4W |
| Continuous operation time | 2ch WAV, 44.1kHz, 16bit rec |
| DR-60D | |
| Alkaline batteries (EVOLTA) | About 2:30 min (Phantom on) About 4:30 min (Phantom off) |
| NI-MH batteries (eneloop) | About 3:15 min (Phantom on) About 5:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) | About 3:45 min (Phantom on) About 6:00 min (Phantom off) |
| DR-60D+BP-6AA | |
| Alkaline batteries (EVOLTA) | About 5:30 min (Phantom on) About 10:30 min (Phantom off) |
| NI-MH batteries (eneloop) | About 7:30 min (Phantom on) About 12:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) | About 9:30 min (Phantom on) About 14:30 min (Phantom off) |
| Dimensions | 133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
| Weight | 510g (not including batteries) |
| Operating temperature | 0˚C to 40˚C |
| Standard accessories | USB cable, warranty card, Owner’s manual |
| Computer compatibility | |
| Windows | |
| OS | Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU | Pentium 300MHz or more |
| RAM | 128MB or more |
| USB | recommended: USB2.0 |
| Macintosh | |
| OS | Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4), Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7), OS X Mountain Lion(V10.8) |
| CPU | Power PC, iMac, G3, G4 266MHz or more |
| 64MB or more | |
| USB | recommended: USB2.0 |
| Audio performance | |
| Frequency response | 20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA) 20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion | 0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| S/N ratio | 92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| Equivalent input noise | -120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) | SD/SDHC card capacity(hours:mintes) | ||||
| 1GB | 2GB | 4GB | 8GB | ||
| WAV/BWF 16bit(STEREO) | 44.1kHz | 1:41 | 3:22 | 6:44 | 13:28 |
| 48kHz | 1:33 | 3:06 | 6:12 | 12:24 | |
| 96kHz | 0:46 | 1:33 | 3:06 | 6:12 | |
| WAV/BWF 24bit(STEREO) | 44.1kHz | 1:07 | 2:15 | 4:30 | 9:00 |
| 48kHz | 1:02 | 2:04 | 4:08 | 8:16 | |
| 96kHz | 0:31 | 1:02 | 2:04 | 4:08 | |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
DP-006 Tested media List
| Last update:June 26, 2014 |
| Maker | Series | Model | Capacity | Result |
| SanDisk | SanDisk Extreme® SDHC™ UHS-I Card (Class10) |
SDSDXS-032G-J35 | 32GB | OK |
| SDSDXS-016G-J35 | 16GB | OK | ||
| SDSDXS-008G-J35 | 8GB | OK | ||
| Lexar | Lexar® Platinum II 200x SDHC™ UHS-I Card (Class10) |
LSD8GBBBJP200C10 | 8GB | OK |
| Panasonic | SDHC™ Card (Class6) R:20MB/s |
RP-SDLC32GJK | 32GB | OK |
| RP-SDLC16GJK | 16GB | OK | ||
| RP-SDLC08GJK | 8GB | OK | ||
| RP-SDLC04GJK | 4GB | OK |
| Maker | Series | Model | Capacity | Result |
| SanDisk | SanDisk Extreme Pro® SDHC™UHS-I Card (Class10) |
SDSDXPA-032G-J35 | 32GB | OK |
| SDSDXPA-016G-J35 | 16GB | OK | ||
| SanDisk Extreme ® SDHC™ Card (Class10) |
SDSDX3-008G-J31A | 8GB | OK | |
| SanDisk Extreme ® SDHC™ Card (Class6) |
SDSDX3-4096-J21N | 4GB | OK | |
| SanDisk Standard SDHC™ Card (Class4) | SDSDB-4096-J95A | 4GB | OK | |
| Lexar | Lexar® Professional 600x SDHC™UHS-I Card (Class10) |
LSD32GCTBJP600 | 32GB | OK |
| LSD16GCTBJP600 | 16GB | OK | ||
| Lexar® Professional 400x SDHC™UHS-I Card (Class10) |
LSD32GCTBJP400 | 32GB | OK | |
| LSD16GCTBJP400 | 16GB | OK | ||
| Lexar® SD™/SDHC™ Card (MULTI USE) |
LSD4GBACJP | 4GB | OK | |
| LSD2GBACJP | 2GB | OK |
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Ulasan Video TASCAM DR-60DMK2
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Selama lebih dari 30 tahun, TASCAM telah mengembangkan produk untuk setiap segmen industri suara dan musik. Dari audio high-end profesional di studio pasca-produksi utama untuk pemula atau hobi di rumah. Kami adalah perusahaan yang berkomitmen untuk menyediakan pelanggan kami solusi audio / video yang memungkinkan terobosan dengan menggunakan suara dengan cara yang menyenangkan. Singkatnya, kami menyediakan alat-alat yang memungkinkan orang menerjemahkan kreativitas mereka menjadi kenyataan.
Setelah hampir menciptakan adegan rekaman rumah selama awal 1970-an, TASCAM melanjutkan untuk mencapai pengakuan untuk produk perintis di arena rekaman profesional. Warisan kita pengembangan produk dan inovasi tercermin dalam banyaknya pengalaman pertama industri yang kami raih, termasuk:
- pertama 1/2-inch, 4-track perekam kaset
- pertama 8-track, reel-to-reel / mixer combo
- pertama R-DAT perekam
- pertama MiniDisc multitracker digital dan CD scratcher
Yang dibuktikan dengan penghargaan dan pengakuan profesional yang kami terima, produk TASCAM jelas di kelas sendiri. Kami MMR-8 dubber audio digital untuk industri film memenangkan Oscar Ilmiah dan Teknis Academy Awards pada tahun 2001 – sebagian besar didasarkan pada kontribusi untuk campuran akhir Dolby Surround EX untuk “The Lord of the Rings.” TASCAM juga memenangkan Emmy Awards tahun 1995 (untuk Prestasi Posisi dalam Pembangunan Teknik untuk TASCAM DA-88 Digital Multitrack Recorder) dan 2000 (untuk Prestasi Posisi dalam Pembangunan Teknik untuk MMR-8 dan MMP-16).
Sejarah Perusahaan
TASCAM adalah salah satu dari empat divisi dari TEAC Corporation, sebuah perusahaan manufaktur berkantor pusat di Jepang. Sejak didirikan pada tahun 1953, divisi lain dari TEAC telah berkembang menjadi pemimpin teknologi tinggi di perangkat penyimpanan data, alat elektronik konsumen dan produk industri, tetapi TASCAM tetap didedikasikan untuk membuat produk-produk inovatif untuk menangkap kreativitas di bidang musik dan audio.
Selama tahun-tahun formatif di awal 70-an, dunia musik itu berkembang. Musisi yang ingin menampilkan bakat dan kemampuan mereka untuk industri rekaman dibutuhkan biaya sarana yang efektif untuk merekam musik mereka. Namun, sebagian besar musisi mampu tidak mengorbankan rekaman di sebuah studio rekaman profesional maupun harga yang diminta peralatan rekaman profesional. Menyadari dilema yang dihadapi musisi ini, TASCAM mengadopsi filosofi peralatan rekaman manufaktur yang menawarkan kualitas tanpa kompromi dan daya tahan peralatan studio profesional namun tetap terjangkau kepada massa.
Ini tentang dedikasi. Kami akan terus komitmen kami untuk menyediakan pelanggan kami teknologi yang mereka butuhkan untuk Make It Happen, dan kami akan berusaha untuk membangun kepercayaan dengan pengikut setia yang baru juga.
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